Archived Papers for Journal
Pytannia literaturoznavstva >>
Vol.2013, No.88
Publisher: Yuriy Fedkovych Chernivtsi National University
Publishing Date: 2013-12-06
- The Receptive Potential of the Porter’s Scene in William Shakespeare’s tragedy “Macbeth”Authors: Halyna Pastushuk
- Typology of the Author's Status: Two Experiences ? Cz. Miłosz and G. von RezzoriAuthors: Tetiana Basniak
- Maghrebian Characters: National Characters in the Novel “An Ermine in Czernopol” by Gregor von RezzoriAuthors: Petro Rychlo
- Means and Methods of ParodyAuthors: Natalia Vinnikova
- Heoretical and Methodological Comprehension of the Exile by Julia KristevaAuthors: Roman Dzyk
- Author, Narrator and a Protagonist as the Agents and Subjects of the Intersection and Inversion of Identities in a Modern Biographic DiscourseAuthors: Galyna Dranenko
- Opposition between Metaphysical and Avant-garde Art in the Novel “The Ebony Tower” by John FowlesAuthors: Dmytro Drozdovskyi
- “?ί?ήσις ? imitation ? mimesys”: Concept and Term in the Age of ModernAuthors: Borys Shalaghinov
- The Format of Genre “Dunno in the Sunny City” of Nikolai Nosov (A Remake Creation of the Classical Utopia)Authors: Alena Boychuk
- Novel about Artist: Postmodern Variations (Instantiated by Novels “The Tin Drum” by Günter Grass, “Brother of Sleep” by Robert Schneider, “Perfume: The Story of a Murderer” by Patrick Süskind)Authors: Sofiya Varetska
- An Anthology as a Representative Genre in Contemporary Ukrainian LiteratureAuthors: Olena Haleta
- Principle of Formation of Medieval German Literature: Overcoming the Crisis Stages through New GenresAuthors: Oleksandr Oguy
- From Liberty to Freedom the Way of the Russian Literary Character in the Novels of the XIX CenturyAuthors: Svitlana Korshunova
- On the Problem of Colonial Fiction Motives in the English Neo-Victorian NovelAuthors: Yuliya Skorokhod
- The Creation of Doxa (Legitimization of Knowledge and Institualization of Notions) in Gender Studies in the Study of LiteratureAuthors: Ganna Uliura
- Metamorphoses of the Heroic in English Lyrics of the Beginning of the Twentieth CenturyAuthors: Yevheniya Chernokova
- Sociality in the Structure of Modern Literature CriticismAuthors: Eleonora Shestakova
- Culture and Self-Knowledge. Around the Concept of Hermeneutics Hans-Georg Gadamer and Paul RicoeurAuthors: Andrzej Borkowski
- The Antiquity in Lyrics by Eugen Malaniuk: Reception and Specifics of InterpretationAuthors: Oksana Galchuk
- Memory as a Category of Fiction: The Receptive Potential of the Novel “The Raw Shark Texts” by Steven HallAuthors: Aliona Matiychak
- “Dead Souls”: Gogol’s Interpretation of the State of InsanityAuthors: Olha Chervinska
- Antique Reminiscences in the Tragedy “Dido, Queen of Carthage” by Christopher MarloweAuthors: Valeriya Georgievskaya
- Intermediacy of the Poetry of Vasyl HoloborodkoAuthors: Olena Kytcan
- The Fine Art in Structure of John Fowles’ Novel “The French Lieutenant’s Woman”Authors: Oksana Levytska
- Intermediality as a Genre-Specific Factor (Sergii Parajanov’s “Kyiv Frescoes” (“Kyivs’ky Fresky”) Script Specificity)Authors: Natalia Nikoryak
- Poetics of in the Structure of the Novel “Kunigas” by J. KraszewskiAuthors: Tatiana Senkevich
- Aesthetics of Modernism in the Prose of German Female Writers at the Turn of GDRAuthors: Tamila Kyrylova
- Feminine Idea in the Simone de Beauvoir’s Novel “The Mandarins”]Authors: Svitlana Kryvoruchko
- Actual Identification of a Screenplay as an Original Literary Form [Review on the Monograph by Natalia Nikoryak “The Authenticity of the Screenplay as a Modern Literary Text” (Chernivtsi, 2011)]Authors: Yevheniy Vasilyev