THE PECULIARITIES OF MUSIC LANGUAGE IN PRELUDE BY TIGRAN MANSURYAN

On the example of theoretic analysis of this work, we wanted to show the interconnection of methodology of extracting the logic of musical composition intonational graphic of music text. At analytic analysis of the work, we corrected the text in accordance with the logic of music process development. And matching of author's idea and interpretation of details and the whole in performance determines the right understanding of composer's idea. The urgent character of the article is caused by one of the priority tasks of teaching musician at the early stages of musical education, which is to teach the correct interpretation of music text. Taking into account that in Armenian piano music there are intonation idioms, inherited from national folklore and the ancient culture of temple monadic tradition, the necessity of multifaceted analysis appears urgent and timely. We would like to note one of the main aspects of analysis carried out – it is the presentation of approach to allocation of intonation moments or motive modes in music text that are mediums of semantic content of the work in various phases of music procedurality.