Chekhov’s dramatic art and cinematograph: implementation of author’s assumption in active shot mode

The article analyses the art specificity of Chekhov's legacy in dramatic art based on implementing in national film industry. Chekhov's drama is divertive in its interpretation by the reader, the researcher, and in the director's cut. Eccentricity frequently occurs in his dramaturgy. In literary text this device is not only a part of aesthetic picturing but also the form of overthinking, transformation of reality and changing the attitude to reality. The main division of the text form alters the character's reality and his life into the moving picture frame, and changes the set visual representation into the symbol. Cinematic art allows to connect Chekhov's text to the ornamentality of the image.