The Emotional Experience of a Musical Work: by the Example of P. Florensky’s Notes on Beethoven’s Septet Op.20

Comprehension of musical meaning remains the eternal problem which is solved by each philosopher in his own way. The concept P. A. Florensky emotions in the structure of the musical sense occupy a significant place: approaching the divine nature, music, both spiritual and secular filled with new energy and sense of priority spiritual constituting over the area of material in this dichotomy. The purpose of this message is a godsend in the creative heritage P. A. Florensky fixing his emotional experience of work. Analysis of the structure of the musical sense is possible only through the antinomy of the spiritual — material, through the dichotomy of spiritual-scholastic — wonderful-mystical, however, should be recognized in the modern music world an opportunity to reach out across Central antinomy while only rational and logical level of perception of music.