SPECIFICITY OF METRORHYTHMIC ORGANIZATION OF KARAKALPAK LYRICAL DASTANS

In the 21st century, the problem of regeneration, maintenance and promotion of national heritages of ethnic cultures, in particular the musical one, becomes the question of the day. The study of Karakalpak traditional musical creativity, its ethnogenesis, genre-stylistic and performing features, as well as the specifics of the fretintonational and metrorhythmic properties, seems to be one of the underinformed and actual tasks of musicology, which motivated for addressing the declared subject of this article.