CREATION IN THE CONTEXT OF REFLEXIVE SYMMETRY

Through the appeal to the concept "creation", the article deals with its semantic overtones due to the socio-cultural context of the use of this concept. The methodological aspect of the use of the concept "to make" as a methodological principle in the works of Russian masters of the early twentieth century and the opposite view by R. Kipling in the concept understanding is noted. The author notes the substantial and semantic evolution of the concept "to make" in the works of masters of the post-October period, indicates the possibility of its unity with the spiritual principle, which we meet in the provisions of Russian cosmism.