ILYAS EFENDIYEVS DRAMATURGIC LANGUAGE ASPECTS AND ITS FORMATION ISSUES

The main aim of the research is to investigate the dramaturgic language aspects and their formation issues in creation of Ilyas Efendiyev – one of the outstanding classicists of Azerbaijan literature of XX century. Ilyas Efendiyev left mark in history as the literary giant with sufficient deep devotion to national and spiritual peculiarities. He left a deep imprint on the theatre and dramaturgy history of Azerbaijan by his numerous dramatical pieces, and achieved creation of vivid image of the characters. The aspects of dramaturgic language of the great writer and the special features of dramatic genre were investigated in the article.The potential and aspects of dramaturgic language were revealed skilfully by means of different characters's dialogues, the importance of chracteristic features of this language was pitched to society. Ilyas Efendiyev gave particular importance to the language and proficiency issues in his dramaturgy, and the author's responsibility for language features safety was brought to the fore. The greatest master author's dramatic pieces are imbued with grass-roots language genius, and he was able to show its aspects by making ample use of his own individual lyrico-psychological creation style. The analyses on these were adduced, and there was shown the great writer's achievement in implementation of spoken language common to Azeri nation to the drama language in his dramatic pieces. There was a elucidated how the author benefited from the subtilities of the rich language common to his nation. The subtilities of the grass-roots language and features of the drama language were harmonized on the basis of lexis of his drama pieces, and as a result the great author formed a drama language reflecting the national spirit. The connexity of language and masterfulness issues, their philosophy and approaches in dramaturgy were investigated. Ilyas Efendiev's role in the formation and development of lyrico-psycological drama language was characterized in the article. The estimation units of the greatest writter's drama pieces were indicated. The article tells about characterstic features ad methods of Ilyas Efendiyev's work on drama language. The reviewed issues were summarized, the scientific polemic on different writters' approaches to the mentoned issues were encouraged, scientific practical commitments were formed in the article. There was given the writter's position on drama language aspects and their formation features in Ilyas Efendiyev's creativity.