THE ROLE OF DIGITAL INFLUENCERS IN FOURTH WAVE FEMINISM: A STUDY OF THE FEMINIST ACTIVISM OF @SALONI CHOPRA AND @ARTWHORING

It is assumed that the second phase of feminism was professed to be affected by the working- class women, and considered the privileges of educated white women. The catchphrase of second wave feminism ‘the personal is political' perceived the political variety of women. It set about in 1963 with Betty Friedan. The central role of these women's liberation was the indestructible hopefulness that women could collaboratively designate each other. Robin Morgan asserted, “women are not inherently passive or peaceful. We are not inherently anything but human.” The women's feminist who evidently went ahead with the third phase of feminism was Rebecca Walker proclaiming, “I am the third wave.” Third wave women's activists concentrated explicitly on awareness-raising. Commenced in the initial 1990s, third wave searched for to interrogate and recovered the plans concerning masculinity, femininity, sexual orientation, magnificence, and so forth. The second wave feminism fractured above the interrogation of adultery and sexuality in the culture of the media though the third wave women's activists situated the articulations like ‘whore' and ‘bitch'. Third wavers represented their genre as culturally manifold vis-a-vis the second wave. Andrey Heywood determines that, “socialists feminists have not believed that women simply face political or legal disadvantages that can be remedied by equal legal rights or the achievement of equal opportunities. Rather, they argue that the relationship between the sexes is rooted in the social and economic structure itself”(Heywood25).