Deleuze - z ca în zigzag

The present article approaches - accepting Deleuze gestures of a huge Z in the air - the zigzag as method and original movement, as a way of contextual recovery dedicated to the dark precursor (via Paulo de Assis, Paolo Giudici, 2017 and Eleanor Kaufman, 2021), recognizing that the concept adds meaning to the attributive-identifying syntagma Dark Deleuze (Andrew Culp, 2016). On the one hand, Deleuze's perspective anticipates and corrects the hypothesis of Eleanor Kaufman, when assesses the concept [the dark precursor], naming it "the relatively unelaborated term by Deleuze" or ante-extrapolates the idea that Paulo de Assis and Paolo Giudici decreed it through an "extremely poetic operator", by positioning the Z on the keyboard, as a dispositif of power and/or power relations. On the other hand, the syntagma Dark Deleuze can be related to the prevalence of the constitutive Z: the questions asked by Claire Parnet if he is happy to have a Zed in his name, Deleuze is not only delighted, but fulfilled, that it has reached a level of thinking that defines and fixes the posthume/ postZumous area.