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METAL ART OF TIKAMGARH

Journal: INTERNATIONAL JOURNAL OF RESEARCH -GRANTHAALAYAH (Vol.11, No. 3)

Publication Date:

Authors : ;

Page : 9-15

Keywords : ewellery; Ritualistic Materials; Decorative Materials; Gabo; Mould; Kapo; Resin; 'Piswan Wax'; Chanwa Wax; 'Garma' and 'Sunti'; 'Barauli Soil'; 'Gaarn Ki Mitt;

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Abstract

The tradition of Bell-metal art has a vast historical background since the time of Indus Valley Civilization. Kumud (1995). Excavation at Mohenjo -Daro, Harappa unfurled the technique of Lost wax process 'Cire-perdue Majumdar (1996). It was the great turning point in the history of art. The analytical study defines that the craftsmen who were pursuing the bell metal craft as a traditional occupation and doing this work as a religious domestic work are regenerating their interest in creative art Shukla (1998). The prime centres of Bell metal Craft in Madhya Pradesh are Tikamgarh, Datiya and Betul the Bell-metal craftsmen of Tikamgarh infused their experiences and creativity to develop a new-fashioned form. They evolved their creations from jewellery artwork."The growth of crafts in society was the sign of cultivation of sensitivity and the steering and mellowing the humanism".Chttopadhayay(1975)

Last modified: 2023-04-03 19:12:36