VISUALIZING CASTE IDENTITY: AN ANALYSIS OF 'PARIYERUM PERUMAL' TAMIL MOVIE
Journal: SHODHKOSH: JOURNAL OF VISUAL AND PERFORMING ARTS (Vol.5, No. 1)Publication Date: 2024-02-15
Authors : A. Vanathu Suresh; Subramani R.;
Page : 18-28
Keywords : Cinema; Dalit; Pariyerum Perumal; Casteism; Violence; Mari Selvaraj;
Abstract
Cinema is the most significant form of art and the most profound communication tool. Pariyerum Perumal is a thought-provoking Tamil film directed by Mari Selvaraj. This film looks deeply into the persistent caste myths in Indian society, particularly on the suffering of the Dalit group (formerly known as "untouchables"), the story of Pariyan, a young Dalit student who wants to be a lawyer. Pariyan struggles with the harsh reality of prejudice and caste-based discrimination in a rural Indian setting while he pursues his education. In the story, Pariyan is isolated from his upper-caste colleagues in college and experiences violence and humiliation due to the sharp caste-based division pervasive in society. The film Pariyerum Perumal shows underprivileged groups' tenacity and struggle to claim their identity and dignity. Pariyan is adamant about overcoming trials and obstacles to achieve his goals and free himself from caste oppression. The movie fiercely refutes the idea of caste superiority and exposes the sneaky prejudices based on caste, even among those who appear progressive. This article focused on how Pariyerum Perumal portrays the caste-based problems afflicting modern India painfully and realistically. It sparks crucial dialogues on caste prejudice, violence, and the pressing need for societal transformation to destroy the antiquated caste myths that still exclude and oppress millions of people in the nation.
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Last modified: 2024-02-17 14:55:36