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Literary Reflections of Womanhood in Colonial and Postcolonial Indian English Fiction

Journal: International Journal of English, Literature and Social Science (Vol.10, No. 6)

Publication Date:

Authors : ;

Page : 297-302

Keywords : Tradition; Transformation; Womanhood; Indian society; Indian English novels; Patriarchy; Gandhism; Social reform; Dowry system; Female agency; Education; Modernity; Female subjugation; Cultural identity; Literary representation;

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Abstract

Tradition is not a force that modifies itself spontaneously; rather, tradition undergoes transformation only when members of society themselves enact deliberate change. The conceptualization of women within Indian society has evolved over decades—and often in abrupt, profound ways—marked by a succession of shifts that mirror changing historical, cultural, and ideological currents. The representation of “woman” has appeared in myriad forms, each reflecting different expectations, prescriptions, and aspirations imposed or cultivated within the social milieu. In literary domains, especially within the pages of early Indian English novels, one observes close examinations of these varying social identities—artfully revealing, through narrative and characterization, the altering masks worn by women in response to their time and context. This inquiry is an attempt to carefully identify and analyze those sites of change and continuity, as presented by pioneering novelists of the period. In composing this study, the objective is to gather and scrutinize the fragmented and diverse images of women, as they emerge from the multiple social layers and strata of Indian life—a reconstruction drawn from the nuanced tapestry that literature affords. It is essential to clarify that the analytical approach pursued does not advocate a position on either side of the feminist/anti-feminist divide. Instead, what is sought here is an exposition of the paradox inherent in women's representations: both as fixed cultural symbols and as evolving agents within a dynamic society. The novels selected for examination comprise the works of both male and female authors, reinforcing the principle that the first duty of a writer is not to any specific ideological stance but to the honest chronicling and interpretation of society's realities. By upholding this standard, the present study positions the writer as a true guardian of the social fabric—one whose role is to record, interrogate, and preserve the truths and contradictions of communal existence.

Last modified: 2025-12-08 13:15:20