A Structure, Not an Event: Colonial Continuity, Biopower, and the Critical Dystopia in Louise Erdrich's Future Home of the Living God
Journal: International Journal of English, Literature and Social Science (Vol.11, No. 2)Publication Date: 2026-03-03
Authors : Greeshma Raj;
Page : 153-169
Keywords : Louise Erdrich; Future Home of the Living God; critical dystopia; settler colonialism; biopower; necropolitics; Indigenous survivance; reproductive violence; cognitive estrangement; Native American literature; speculative fiction; novum;
Abstract
This article reads Louise Erdrich's Future Home of the Living God (2017) as a critical dystopia whose speculative premise a planetary evolutionary reversal that renders human reproduction precarious, functions not as a warning about an approaching future but as a defamiliarization of a present already shaped by colonial reproductive violence. Drawing on Darko Suvin's concept of the novum and Tom Moylan's account of the critical dystopia, the article argues that the novel's central formal innovation lies in the uneven distribution of cognitive estrangement across its characters: what registers as unprecedented catastrophe for the settler world is recognisable, even continuous, for Cedar Hawk Songmaker's Ojibwe birth community on the reservation. This asymmetry is read through Kyle Powys Whyte's argument that Indigenous peoples experience ecological crisis as a sequel to already-experienced colonial apocalypse and Patrick Wolfe's formulation of settler colonialism as a structure rather than an event. The article then examines the novel's state apparatus, the Stillwater Birthing Centre, its wall of photographed dead women, the sedation at the moment of birth as an instantiation of Foucauldian biopower and Achille Mbembe's necropolitics, situating the novel's reproductive violence within the documented history of IHS sterilisation campaigns and the analysis of reproductive coercion as a technology of colonial elimination developed by Andrea Smith and Dorothy Roberts. Finally, the article reads the two registers in which the novel sustains its utopian horizon: the reservation community's survivance practices, understood through Gerald Vizenor, and Cedar's journal itself, which performs survivance through the act of writing relationship across an unresolvable uncertainty. The article argues that the novel's refusal of narrative closure is a political argument about the limits of reassurance and the durability of testimony.
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