TARI MINANG AESTHETIC IN RANDAI ARTS: TEXTUAL-CONTEXTUAL ANALYSIS

Tari Minang aesthetic conceptual uapatuik raso-pareso adopted from Minang kabau traditional saying, lexically and grammatically described to be applied in gerak galombang randai with Randai arts as the object of research. It is expected that this Tari Minang aesthetic concept can be used as one of the criteria to judgeadance as rancak, fine, beautiful, lovely, and so on. In the area of Padang Panjang, Sumatera Utara, there is Randai that evolve from pamenan anak nagriinto performing arts. This writing peeling Randait extually and contextually, among other, an analysis of the gerak galombang randai, the character ranalysis of anak randai, and as the end of the series of this study, revealing that the values attached to Randaias a cultural reality in principle is the inseparable part from the existence of the Minangkabau as a culture buffer. Various motion used in the gerak galombang randai are apparently not just a decoration of the beauty of motion(tangible), but can be translated, as well as an educative-meaning fulsymboloremblem(intangible), and could be an example of everyday life in indigenous people in Minangkabau.