Penolakan Terhadap Tradisi Barat Dalam Raden Adjeng Moeria Karya Njoo Cheong Seng

Raden Adjeng Moeria (1934) by Njoo Cheong Seng offers the refusal of the Western tradition. Raden Adjeng Moeria is assumed as Njoo Cheong Seng response towards a social situation of his social group. The aims of this research are (1) to identify the worldview and social group which is represented by Njoo Cheong Seng and (2) to explore the result of Njoo Cheong Seng reaction toward a social situation in that era. This research uses the sociology literature perspective. The result of this research is that (1) Njoo Cheong Seng represented the social group of peranakan Chinese diaspora and based his world view on his tradition and value, (2) Raden Adjeng Moeria was the cultural resistance toward modern and liberalism issues. The cultural resistance was a strategy to defend his identity because he did not want to be trapped in the Western tradition and identity.