A Section from the 1960s to the Modern Day: The Place of Nature in the Concept of Land Art
Journal: International Journal of Science Culture and Sport (IntJSCS) (Vol.2, No. 1)Publication Date: 2014-03-15
Authors : Pelin AVŞAR; Tevrat GEDİK;
Page : 5-11
Keywords : Land Art; Environment Art; Sand Art; Land Art; Nature;
Abstract
All the living beings on earth have accommodated to the nature to keep their lives, they have become integrated with it and they have tried to explore environment by wondering. Through the centenaries, nature, being subjected to studies of both the scientists and the artists, has been physically corrupted and ecologically damaged by the negative effects of the industrialization. The nature, subject of the artwork beforehand, has become integrated with the handiwork within the concept of "Land Art", coming up after the 1960s, and has started to be a part of these handiworks. The art has come out of the galleries or the pointed out idea has been reflected different from sculpture and painting art, instead of the objectivity, the thought has been placed to fore font. The art work has become visible in nature, travelable within, observable from the pictures or videos as it may not be lasting, out of focus and out of long lasting. This study is a type of scanning work based on the change of the concept of "Conceptual Art" after the 1960s handling the art work that the artists' way of use the nature in their works and nature's integration with the work physically.
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