Vision of Tagore through Applicability in the Spectrum of Ray and Ghosh: Reflection of Feminine Approach in two Bengali Movies

Rabindranath Tagore had an enormous influence on Satyajit Ray, one of the great directors in India’s long tradition of art house cinema who directed Charulata, and Chokher Bali is made by a director much influenced by Ray in turn, Rituparno Ghosh. The film Charulata affords a dazzling view of Satyajit Ray’s mastery of the medium and gives vital proof of his ability to explore universal themes without compromising his uniquely Bengali sensibilities. Ray’s script gracefully follows the maturing of Charu’s artistic and feminine identity. The Bengali filmmaker Rituparno Ghosh writes and directs the costume melodrama Chokher Bali: A Passion Play which focuses on the situation of women. Set in the early 1900s, the film draws parallels between the British colonization of Bengal and the domestic situation of a Calcutta household. This paper tries to analyze the representation of Indian Bengali female characters, written by Tagore in the early 20th century, through the above mentioned two movies.