DOCUMENT-ART OF ARAB SPRING

The purpose of this article ? study of documentaries about Arab spring events f rom document - art po- sition. During the analysis of documentary cinema by not only the Arab directors about revolution in Egypt, Tunisia and Yemen, its substantial aspects, position in film art are defined. The author makes conclusion that the considered doc umentaries are referred to the document - art, or revolutionary cinemas, which not simply fixes reality, but also have the task to give an assessment to events described in a frame, to consider their cause and effect.