ON THE ISSUE OF STUDYING CLASSICAL GUITAR PERFORMING ART IN ARMENIA IN EDUARD BADALYAN’S OEUVRE

The article, devoted to Eduard Badalyan's heritage, presents the characteristics of creative principles and performance style of the founder of classical guitar school in Armenia, which has been forming for the last fifty years. The article is aimed at promotion and development of the Armenian guitar performing art and visual presentation of diverse prospects of formation of musical language, peculiarities of compositional structure of E. Badalyan's music pieces, their conceptual and dramaturgical principles, and the opportunity to understand not only the unmatched Badalyan's performing ways more deeply, but also to percept the flair of the Armenian traditional national music.