Tipological models of flute sonata of time of Baroque

The purpose of the proposed article is to carry out the typology of flute sonatas of the Baroque era. Given the artistic content, the genre-certainty of the parts, it reveals the following leading types: sonata da chiesa (G.-F. Teleman, J.-S. Bach, G.-F. Handel), sonata da camera (J.-B. Buramothe), as well as solo sonata (J.-S. Bach). The methodology of the research is based on the application of the historical method – when outlining the geniuses of the genre of sonatas for flute; analytical and typological – when identifying the immanent features of specific models of the analyzed genre and their association with the corresponding typological groups. The suggested typological models of Baroque Sonata with the participation of the flute laid the foundation for the further development of this genre of instrumental culture, in particular, its symphonization in the work of K. Reyneck, and the chamber and instrumental repertoire with the participation of flute in general.