The Place of Modern Repertory Theater in creative Industries

The paper is devoted to defining the role of the contemporary Ukrainian repertory theater in the enshrined legislatively creative industries which should become the driving force in the national economy. For this force to “kick into high gear”, the process of industrialization should be activated, accompanied by specialization, rationalization and standardization. It is assumed that the development of standards, as high-quality models to emulate, in the theatrical business should become the prerogative of repertory theaters. In order to analyze the process of theatrical business industrialization, the paper proposes a mathematical model of the industry, based on the Tolkott Parsons theory of social action systems. The mathematical description of the industry is given in the form of a system of nonlinear differential equations of the first order. In these equations, the dominant unknown factors are economic, organizational, mental, and societal components of the industry's internal environment. All of these components interact with the relevant institutions in the external environment of the industry, all of them being inherent in the repertory theaters that deal with the spectators on an ongoing basis. The formalized description includes a management parameter called ‘creativity' or ‘innovation', which reflects the complex of personal characteristics of the management of the industry and their environment. The analysis of the behavior of the model is significantly simplified under the assumption that among the unknown factors the most influential for the integral results of the industry are the economic and organizational components. Under these conditions, it is sufficient to leave only two corresponding differential equations. This allows us to prove quite rigorously that it is the organizational culture, the labor mentality that should provide such a human quality as creativity, or innovation, or entrepreneurship, being a comprehensive, dominant factor in the industrialization of theatrical business.