ABOUT WOMAN’S IMAGES IN BALLETS OF AZERBAIJAN COMPOSERS

This article is devoted to theoretic research of conversion of woman's images in Nizami Ganjevi's creation in ballets of Azerbaijan composers. Theoretical analysis “Adajio of Aisha and Bahram” by Gara Gara- yev's ballet “Seven beauties”. Certain aspect is elected in the analysis: to consider expressive means of lyric and its role in the incarnation of Aisha's image. Some means of expressiveness of the lyric in Fikrat Amirov's ballet “Nizami” are also analysedin the article. The analysis is concentrated in the opening of Afag's image – Nizami's sweetheart. Lyrical image of Afag's tragedy is eccentuated. Accordingly to dramatic interpretation of the image, F.Amirov satiates lyrical image with colours as much as possible revealing Afag's image