The Value of Locality and Supernatural Symbols for the Use of a Magical Object in Novel Ronggeng Dukuh Paruk and Film Sang Penari (2011)

This paper discusses how the shape of the ekranisasi on the novel Ronggeng Dukuh Paruk by Ahmad Tohari and film Sang Penari (2011). Literary works such as novels filmed making the content of the story of the novel can be read by the reader or audience through audio visual. This paper uses the view Damono (2005) and Eneste (1991) about the ekranisasi. This paper found that each film and novel in the style of a different story, in the novel written in detail, while the film was only shown in several sections that only looks at first glance because of limited media to explore and display the values of the locality in the film.