Representation of Caste and Gender: A Critical Study of Tendulkar's KanyadaanJournal: International Journal of Science and Research (IJSR) (Vol.10, No. 10)
Publication Date: 2021-10-05
Authors : Kavita Dubey;
Page : 477-479
Keywords : Caste; Class; gender; patriarchy; marginality; conflict; marriage;
Gender consciousness in Indian English drama is one of the most flaming issues which can be seen in the plays of Indian playwrights. Throughout about six decades of post - colonial narration of Indian English fiction, a wide variety of novelists have emerged focusing awareness on a huge number of divine issues, economic, political, spiritual, and social confronted by three corresponding periods of human experience. As we know that Vijay Dhondopant Tendulkar (1928 - 2008) is a leading and television leading Indian playwright. He is a movie and television writer. Besides these, he is a literary essayist, political journalist, and social commentator too, primarily in Marathi. It cannot be negotiated that his many plays derived inspiration from real - life incidents or social upheavals which provide a clear projection of the harsh realities.
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