The evolution of form and compositional solutions in the early medieval religious architectural monuments of Uzbekistan

This article presents a scientific analysis of the Buddhist temple located in the ancient city of Quva, which occupies a special place among the early medieval religious architectural monuments of Uzbekistan. The study examines the form and compositional solutions of the structure based on archaeological findings, including sculptures, wall decorations, ceramics, and architectural fragments. The results show that the Quva temple functioned as a syncretic art center where the cultural traditions of India, Iran, Greco-Bactria, and local Fergana were harmoniously integrated. Its architectural design combines centralized composition, harmony of light and color, and the use of adobe and clay bricks, reflecting the fusion of local construction techniques with religious architectural requirements. The color palette and anthropological features of the sculptures indicate the localization of Buddhist art within the regional context. The research scientifically substantiates the significance of the Quva temple in the evolution of religious architecture in Uzbekistan, the system of intercultural influences, and the contemporary necessity of its conservation and museification.