The German expressionism in the cinema on the verge of “rooms desires”
Journal: Scientific and Analytical Journal "Burganov House. Space of culture" (Vol.27, No. 2)Publication Date: 2014-06-01
Authors : Roman М. Perelshtein;
Page : 57-62
Keywords : Expressionism; the subconscious mind; the inner man; the outward man; the mask;
- Symbolism of Jan Toorop (1858–1928). Between fantasy and reality
- Problem of the Self and the Other, Reality and Fantasy in Sophocles Tragedies
- FANTASY AND ILLUSION VERSUS REALITY IN THE PLAYS OF EUGENE O’NEILL
- Reality and fantasy interaction in the novel " Valley of darkness" by Abdelmalek Mortadh
- Dream, Reality and Fantasy: A Psychoanalytic Reading of Sucker Punch
Abstract
German cinema 20–30s absolutizes sphere of the subconscious, and thus denied the plane of consciousness on the pressing issues of cultural, social and political life. The coming to power of the National Socialists was partly due to the fact that the era of iconic movie heroes were created in the image and likeness of some puppets, manipulated mind that the so-called strong personality.
Other Latest Articles
- “Al gran sole carico d’amore” by L. Nono as example of “scenic action”
- Influence replicate image easel painting. View from China
- When was classical architecture born and has it got a future?
- ESTIMATION OF CARBON SEQUESTRATION BASED ON DIFFERENT METHODS: A CASE STUDY OF ORTAKÖY FOREST PLANNING UNIT
- THE ROLE OF COGNITIVE TRAILS IN TEACHING AND EDUCATING OF STUDENTS
Last modified: 2017-08-12 18:07:53