Functioning of Syntactic Phrase Models in the Space of a Detective Genre (Based on b. Akunin's Novels)

The present paper aimed to investigate syntactic units of the idiomacy structure that express intensive-consecutive relations, which are classified as “expressive syntactic constructions” and differ from each other by semantic diversity, fusion of informative and connotative meanings, combination of real and surreal contents and combination of both variable and non-variable components. On the one hand, the present research focused on unresolved problems of syntactic phraseological models' semantic-functional status, and on the other hand, paid attention to the representation of intension in the information structure of phrasemes that differ by the correlation of qualitative-quantitative and relational meanings. Statements, which have so/ such/ so/ before ... what; not so not so ... so; too ... to conjuctures and are based on constant components and allow free lexical filling, are related to these phraseological models (hereinafter referred as phraseomodels). Phraseomodel, which concentrates on the verbalisation of intensity and behaves differently depending on the lexico-semantic origin of the “backbone” component and how functionally loaded its pro-form, prevails in the writing style of B. Akunin's detective fictions. Meanwhile, the semantic intensity is often amplified due to the metaphorization and embodiment, inversion, segregation of the pro-form or phrase as a whole, and the inclusion of informal speech and even jargon. Phraseomodels, which are analyzed in terms of the inter-model correlation, are correlated with those phraseomodels including the "too ... to" part indicating the redundancy in the quality or conditions, and with those including the not so / not so / not so ... to parts, in which the quality of subject, on the contrary, does not exceed the bare minimum for something to happen. Such stylistic modifications of the currently studied phraseomodel as parcellation, lexico-syntactic repetition and ellipsis enhance the expressive and emotional perception of B. Akunin's detective fictions.