Related analysis of the theory in the academic art and avangarde

The article examines the theoretical concepts of avant-garde artists (K. Malevich, O. Bogomazov, O. Exter) and conducts a comparative analysis with the theories of composition in classicism and academicism. The subject of the study is the theory of composition. The aim of the work is to identify the common and distinctive features of theoretical concepts in academicism and avant-garde. The study used a comparative method as well as a method of extrapolation. As a result of the work, the main theoretical differences that formed the basis of the artistic avant-garde were revealed. The results of the study can be used in the course of lectures on composition theory, analysis of artistic styles. Conclusions: artists of the avant-garde of the first third of the 20th year put forward theoretical concepts, which, on the one hand, were a decisive break with traditional realistic (academic) art, on the other - inherited the classical organization of the art plane.