ACTUALIZATION AND TRANSFORMATION OF TRADITION IN THE EXPLICATION OF MORAL COMPONENTS IN MODERN CHECHEN POETRY

The item analyzes the determination of the value-orientation components of poetry with ideological and cultural extralinguistic components. The analysis of the thematic explication vectors within the concept-valor system in the poetic work takes into account the ideological transformation of the conceptosphere of an individual (Chechen) ethnic group, as well as the glocalization processes. The study employed the methods of linguocultural and discourse analysis of idio- and linguo-cultural concepts. As a result of the growth and complication of artistic thinking and the transformation of creative experience within the framework of updating the traditional and conceptualizing new associates in poetry, a tendency is implemented, which is aimed at overcoming the traditional foundations as well as changing the ways and means of expression. The dominant technique for strengthening the moral burden is the psychologization of the narrative, the desire to have a look into the person's “soul”. The article uses the example of the work by national poets to highlight the major trends in transformation of their creative heritage. At the same time, ethno-national poetics is presented as one of the most codified and intimate in terms of translating traditional moral guidelines. This process is a logical consequence of glocalization in the modern Chechen linguistic and cultural community, which is accompanied by the transformation of general cultural linguistic stereotypes and the development of new associative series in a poetic image. The addiction of value-orientational components, both traditional and new, as well as individual ones, allows creating a unique image of the modern Chechen psycho-emotional space in the unity of the author's, general cultural and universal concept-valor system. In the modern Chechen poetry, reflexivity both over the people's history and over the creative literary heritage determines the vectors for developing new moral spaces in the structure of cultural ethnospecific concepts like the CAUCASUS, the WORLD, etc., which are mainly updated in a temporal-distant way of describing.