MPLICIT POETIC FRAGMENTS IN THE PROSE FABRIC OF NOVEL DISCOURSE-TEXT AS DETERMINANTS OF LINGUISTIC & RHETORICAL SYNERGETICS

In the article, from the standpoint of the linguistic & rhetorical (L&R) paradigm, implicit poetic fragments in the prosaic fabric of the novel discourse text are considered as synergetic determinants of the formation of the marginal genre's specificity. In the course of the study, the typology of implicit poetic fragments of the prose text on the material of Andrey Gubin's novel “Milk of the She-wolf” is justified. The constructed classification includes several subtypes of implicit poetic fragments of a novel discourse text: 1. By the dispositive criterion: 1.1) the dispositive position “Epigraph”, 1.2) the dispositive position “Beginning” (the chapter, the part, the whole work), 1.3) the dispositive position “Middle of the text”, 1.4) the dispositive position “Ending”. 2. By the criterion of volume: 1) poetic impregnations (one sentence or less (part of sentence) of rhymed prose, italicized); 2) poetic inclusions: 2.1) poetic inclusions - microcontexts – PFs, equal to one complex syntactic unit (CSU), ie. two or more sentences, connected in meaning and grammatically); 2.2) poetic inclusions - microcontexts that are equal to a voluminous connected text. 3. By the inventory criterion (content-semantic frames): 1) landscapes (mountain, plains, elements of water, etc.); 2) household sketches (subtypes of rural work, work around the house, “around the kuren”, the female world, the male world); 3) mixes (include different meaningful frames). Based on the results of the analysis of empirical material, as well as the judgments of researchers on the creative personality of A. Gubin, the features and patterns of the speech-activity of the discourse producer in the aspect of interpenetration of prose and poetry as forms of verbalization of artistic content are established; the distinctive features of the given literary personality from the positions of the integrative L&R approach are formulated.