A Study of Idiosyncratic Hilarity based Cinematic Ride by SMEEP KANG

Punjabis are incessantly appraised as light-hearted bracket, as they are always high on hilarity. And when this attribute get hold as a core notion in any cinematic presentation, it tickles the funny bones of viewers. Such constitution on celluloid not only amuse the laughter but also reinvigorate spectator from their established rote procedure. The genre of comedy is not new in Cinema and when it coalesces in Punjabi Cinema, it germinates the new ecstatic wave among audience. Such cinematic contents triggered the omnipresence characteristics of cheerfulness among Punjabis. The epitome of comic on celluloid in Punjabi Cinema to experience laughter rides is accomplished by ingenious film-maker Smeep Kang. Cinema by Smeep Kang had given a shift from proto-typical comic contents to immaculate recreation of humorous effects on celluloid. He continued the comic legacy lead by Jaspal Bhatti ji and had created a new comic definition in Punjabi Cinema. His passionate piece of work continues to fascinate the audience by inducing laughter. Accomplished director with his creative skills made people laugh out of heart. Smeep Kang cinema is not restricted with zonal parameters but also by the general audience worldwide. His movie Carry on Jatta (2012) was a true paradigm of fun-riot Cinema that created a new wave of salutation among audience. The new level of excellence by Smeep holds back the audience for further flicks. Unmatched ability by Smeep Kang over humour content manifested a crowning moment to Punjabi Cinema. Notwithstanding a fact that he bestowed an ample comic cinematic presentations but this research paper pivot block buster hits of Punjabi Cinema by Smeep Kang as a director i. e -Carry On Jatta, Vadhayiyaan ji Vadhayiyaan, Laavaan Phere, Carry On Jatta 2.