Aesthetics of Theatrical Methods in the Iraqi Play

The methods of directing the output have faced a great deal of heterogeneity, distinction, experimentation and difference within the artistic approach of the theater directors. This approach was accompanied by many of the theatrical phenomena which have returned a distinctive style or speech that differs aesthetically from one another. This difference provides space for reflection and standing on the aesthetics of the style in the theatrical performance. The study focused on the historical evolution of the methods of directing the world and dealing with the various output from classical to postmodernity. He identified the models that illustrate the concepts of style and output within the dynamics of the development of the philosophical hypothesis in theater performances. Handled. The researcher reached a number of important results that reveal the aesthetics of the style and its implications in the fields of knowledge through achieving harmony, complementarity and coherence between the artistic style and the visionary project that embodies the artistic creativity in the play.