THE FRAGMENTARY AESTHETICSOF D. S. MEREZHKOVSKY’S NOVEL ?JESUS UNKNOWN?
Journal: International Scientific Journal "Internauka" (Vol.2, No. 2)Publication Date: 2015-03-01
Authors : Akhunzianova F.;
Page : 117-122
Keywords : Merezhkovsky; fragment as a literary genre; fragmentary integrity; visualization ?broken mind?;
- THE FRAGMENTARY AESTHETICSOF D. S. MEREZHKOVSKY’S NOVEL ?JESUS UNKNOWN?
- А.P. Chekhov and D.S. Merezhkovsky: controversy about the mission of the Russian intelligentsia
- JULIAN THE ABJURER AND CHRISTIAN WORLD IN THE NOVEL "THE DEATH OF THE GODS" BY D. MEREZHKOVSKY
- THE IMAGE OF WINGS IN THE NOVEL "THE RESURRECTION OF THE GODS. LEONARDO DA VINCI" BY D. S. MEREZHKOVSKY
- ESCHATOLOGICAL MOTIFS IN DMITRY MEREZHKOVSKY'S TRILOGY "CHRIST AND ANTICHRIST"
Abstract
The author of the article displays D.?S. Merezhkovsky finds the form which allows to express rather absolutely the religious idea of ?The Third Testament? during his artistic striving. In this sense, one can consider ?Je-sus Unknown? as the attempt to show the unity of form and content when the fragment as a literary form implying the process of finding becomes the determinative artistic principle in D.?S. Merezhkovsky’s reflection of the process of looking for religion for himself and himself in religion.
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Last modified: 2015-06-12 17:54:31