CRISIS OF READER IN THE PERSIAN POETRY OF THE NINETIES WITH EMPHASIS ON RHETORICAL-LINGUISTIC REASONS

In the history of the Iran contemporary literature, the flow of poetry, known as the 70s, has a special place. Faces such as Ali Abdul Razaei, Mehrdad Fallah, Behzad Khayat, On one hand , and Reza Baraheni and his students, on the other hand, New foundations of poetry and poetry theoretical foundations have left that have until today been rejected or endorsed by many discussions and analyzes. It has been raised and criticized by critics of poetry and poets. Postmodernism, as a new literary course, had a great influence on the Persian poetry space, and in literary societies there was widespread debate around it, but failed so that must have an audience. The fact is that the poetry of the seventies and the linguistic poetry of Baraheni, despite the passion that was created in poetry and literary society, especially young poets, was criticized by the audience as well as by the lack of attention. In this research, the reasons for the audience crisis in poetry of the seventeenth century poets have been investigated and rhetorical reasons such as: breaking the rhetorical meanings of the classical, reductionism, conjugacy and ambiguity, narrative structure have been studied. This research is conducted in a descriptive-analytical manner. The scientific innovation of research is that the subject of the crisis of Persian poetry in the seventies is first considered for such a comprehensive and based on linguistic and rhetorical reasons