ON THE ISSUE OF INTERPRETATION OF A LITERARY TEXT IN THE WORK OF SOUND DIRECTOR

The article touches upon the issue of transformation of the work and role of the sound producer in the modern realities. Nowadays, the role of the sound director has significantly expanded in terms of structure of communication between the author, performer, sound producer, listener and a critic, taking into account the changes in the culture of music perception, as well as the emergence of new innovative methods of working with sound. The author proposes to consider the sound director not only as the creator of artistic sound images, their settings and processing, but also as a co-author and co-performer of a musical piece.