Concerning the «Curtain» (Hidden Meanings) in Culture and Art

The article covers unmanifest forms of culture and art meanings interpretation, regarding the specifics of human nature and perception. The myths of Ancient Greece, biblical texts, masterpieces of Fyodor Dostoevsky, Leo Tolstoy and Jean-Paul Sartre are analyzed. The emphasis of the analysis is placed on the perception shift, regarding the authors preferences, and the true meaning fixation from the perspective of an observer, where all the shifts become sought out and traceable.