AN INTERNAL REVOLT AS SEMANTIC UNIT OF MOTIVE OF LONELINESS IN T. MOSKVINA’S PROSE

This article is devoted to the motivational analysis of prose of the modern writer T. Moskvina (novels: “Death is all this men”, “She knew something”, “Shame and purity”, “Life of the Soviet girl”). The concrete unit of loneliness'motiveisolated as an independent seme – “an internal revolt” is investigatedin the work. In our opinion,this unit is paradigmforming and dominating in a model of the world and poetics of the writer, reflects the opposition of the “men's” / “women's” world which is at the novelistic narration by Moskvina present, is implemented at the substantial, subjectlevel. The article purpose is -to consider how the portrayal of heroines' characters according to motivational seme forms, to prove structure forming and sense forming function of motive as a narration element. The structural-semantic, typological and comparative-historical methods which allowed to consider a concrete motivational-descriptive element (an internal revolt) as a part of a whole, more universal and so the general motive (loneliness), to designate its meanings and functions and also to reveal typology of the set motivational unit which is implemented at the level of a plot, composition and images of characters were the basis for a research. The comparative-historical method gave the chance to track evolution and transformation of the chosen motive as the major entity archetype and a sharing on seme polyvariant construct. Conditional classification of heroines of T. Moskvina became a result of a research. So, in the context of semantic unit of an internal revolt we allocated two types: heroines “humble” and the heroines “revolting”. And their revolt is a reaction to series of failures and treacheries. The constant condition of confrontation gives rise to the mistrust to the world which becomes immanent for any realizing inequality woman, and so not agreeing to it. The final of such disagreement, mainly, is death – the forced and voluntary leaving. “Humble” heroines also feel injustice of the world, but after all try “to keep within” the existing system, however, most often, in this system they are caricature or are unhappy