The Artistic and Aesthetic Values of the Stylistic Transformations of the Cubist Form and Its Effects on the Artwork in Enamel Technique

The goal of cubist art is to demolish the apparent form and rebuild it anew, whether through simplification and reduction or an analysis of the formal form. Achieving an aesthetic content that has its own privacy, as is the case with Picasso and Georges Braque, and in reconstructing the form again, the artist can access the innovative image in an emotional way that expresses his intuition regarding the truth hidden from the eyes of the ordinary person, as the artist internalizes the sense of the mystic the essential image expressing the meanings and contents that give the viewer a suggestive picture of that thing in itself and its invisible reality. The cubist artist was able to explore the depths of the apparent form in order to reach its latent content in order to reach that integration and that aesthetic stemming from the stylistic diversities that the research aims to achieve. The form is always related to the artistic formulations that may rise to the degree of idealism, as the artist merges that virtual image represented in the natural form with that intuitive idea that was drawn in his portrayal of the reality of that thing, which he was able to realize through his artistic reflections, with the aim of making the artwork a visual image of the contents it carries. The current research seeks to shed light on the artistic and aesthetic values and the artistic transformations that occurred in the cubist form and its reflection on the artworks treated with the enamel coating technique, through the study of the following axes: The first axis: artistic and aesthetic values between philosophy and the concept, the second axis: stylistic transformations of the form, the third axis: the multiplicity of the semantics of the form and its stylistic transformations in the cubist movement, the fourth axis: plastic formulations of artworks treated with enamel technology, the fifth axis: the practical framework of the research: in which the researcher shed light on: (the historical aspect of enamel technology, different methods and styles of enamel coating, enamel tools, foundations for building an artwork, and applied experiment designs).