Dialectics of dramaturgy in musical eccentrics

The article deals with the research of eccentricity specificity directly in the circus genre of musical eccentricity not only from the point of view of comic perception category but also from the point of view of dramatic artistical devices. The establishment of dialectical connections between the new dramatic eccentriad and the canonical samples of the genre is an absolute innovation of the author. Studying the problem of the dramatic and the comic balance in the musical eccentricity, the author has found the discrepencies in A.V.Ardov's, S.M.Makarov's and T.S.Kogan's theoretical conclusions from the modern music – eccentric acts without fun.