Self-sufficiency in the narrative process between concept and foundation

This research seeks to highlight the concept of self-imagination in the narrative process, as it still raises a great controversy among researchers because of its standing in the position between the two genres of literary and biographical, because it derives its tools and mechanisms from all of them at the same time, without fully aligning with one of them at the expense of the other. The results indicate that the self-imagination derives from the gender of the novel The legality of the imagination with all that the latter provides of absolute freedom in building events, personalities and spatial space, and derives from the gender of the biography The legitimacy of the self and the reference, as the self is pivotally established to become the pole, areas, beginner and end, the world sees and recovers events The former analyzes, comments on and re-interpretes its details according to its current development of life experiences and cultural experiences